2024
invite
your children, grandchildren, elders, neighbors and
friends!
also an
invitation to share some sprouting seeds, beginnings
of a project,
doesn't
have to be a craft project!
...a sweater, a poem, a tune, a seed, a thought, a proposal for action...
...a sweater, a poem, a tune, a seed, a thought, a proposal for action...
Come by ~when you can~
for the day / for the potluck / to say hi / early & later / whenever
Bring a project that you are working on, or find inspiration here.
for the day / for the potluck / to say hi / early & later / whenever
Bring a project that you are working on, or find inspiration here.
(limited supplies for basket weaving, spinning, sewing and knitting will be on hand)
2023
closing
event
Live
readings and conversation with two
writers ZOOM'ing in from Maine State
Prison.
(Zoom attendance option
available, please inquire for link)
Moderated
by poet, Bea Gates
Collin K, 2018
Poetry
has always been part of Lalee's
life. Introduced to poetry and to
traditional oral story telling as a
child in his native country
(Somalia), and seeing poetry as an
identity and a form of deeper
communication with the universe and
who/what it contains, Lalee only
lately started exploring writing
poems in English.
Leo
has had a painful and complex
relationship with writing over the
course of his life. In recent time
he has been able to use poetry as a
cathartic means of capturing and
processing moments of pain and
reflection, giving him an avenue of
artistic voice, unique from his
public-facing, political, or
scholarly works.
Last
chance to visit (quick
peek)!
FROM WITHIN exhibit
Friday
4-6 & Sunday 1-3
Through
December 3
an
Inclusive Community
Conversation
JOIN US
for a dynamic,
invigorating
discussion
about the
state of
justice,
inside and
outside the
system, inside
and outside
our own
selves, and
the powerful
promise of the
arts to effect
change.
Facilitated
by Larraine
Brown and
Norman Kehling
of AIMe
AIMe
- Artivism in
Maine employs
the arts and
culture as
powerful tools
to effect
social,
economic and
environmental
justice
throughout
Waldo County
and Maine.
HIIT (Helping
Incarcerated
Individuals
Transition) is
a
significant project
sponsored by
AIMe and
founded by
Norman
Kehling. Mr
Kehling was
sentenced to
forty four
years and
served
thirty years
at Maine State
Prison, seven
of those in
solitary
confinement.
Both education
and the arts
are important
in Mr
Kehling's life
as a free man.
Most important
is his
commitment to
work for the
rights of
those who are
still
incarcerated.
Ongoing
FROM WITHIN
exhibit Hours:
Friday
4-6 &
Sunday 1-3
Through
December 3
50
Years of hope
as resistance
From
San Francisco
Poet Laureate
Tongo
Eisen-Martin:
“Like witnessing a holy physics, … Gates makes all phenomena music. You will exit this collection transformed.”
“Like witnessing a holy physics, … Gates makes all phenomena music. You will exit this collection transformed.”
In
1975, Bea
Gates
returned to
Maine. Having
designed and
printed native
tongue
(hopalong
press, 1973),
she bound the
edition at
Gray Parrot’s
Hancock
bindery. In
1976, she
moved hopalong
press from the
Berkshires to
the Larson’s
old canning
factory in
South
Penobscot
where she
founded
Granite Press
(1975-1989) as
poet, Book
Artist &
feminist
publisher.
There could be
a book about
moving
equipment and
building print
shops, but Bea
has written
more poetry
than prose,
now surfacing
in her new
collection—The
Burning Key,
New &
Selected Poems
(1973-2023)
from Thera
Books
featuring new
&
uncollected
poetry,
letterpress
limited
editions,
selections
from books
including
Lambda Poetry
Finalist In
the Open and
award-winning
translations.
Maine
Arts
Commission
Poetry Awardee
and MacDowell
fellow, Gates
taught writing
&
literature for
over twenty
years in the
Goddard MFA.
She has taught
in
undergraduates
and graduate
programs,
including
CCNY, Colby
College, NYU,
and continues
to teach
workshops and
one-to-one for
mixed
generations,
young adults,
and lgbtq folk
in rural &
urban
communities.
She initiated
SIDELINES:
Poems in
Translation in
more than one
language at
the Cannery in
2018. Her mail
still comes to
Penobscot. One
of two
remaining
Readings, out
of eight in
Maine! this
year.
a
three-part
exhibit
featuring art
by
incarcerated
individuals
Opening
Reception
3pm
we will be
joined on ZOOM
by artist John
Lanpher
Exhibit
Hours: Friday
4-6 &
Sunday 1-3
Through
December 3
Check
back for
related
upcoming
events
(e.g.
A community
Conversation
in Nov 19
w/special
guests)
John
Lanpher III of
Southwest
Harbor picked
up a painting
and drawing at
the age of 36. The collection on display includes 10 works created on the outside and 10 works created on the inside of the Hancock County Jail. A selection of paintings by artists, incarcerated residents and formerly incarcerated residents, on loan from HIIT (Helping Incarcerated Individuals Transition) Also on display, from a Freedom and Captivity event is a selection of mbira's built at the Cannery workshop What does liberation look like? in October of 2021 |
an
electroacoustic
field of sound
and motion
Al
Margolis:
clarinet,
violin,
objects,
contact mics
Tom
Law:
Max/MSP,
treble viol
CillaVee:
movement,
voice
|
Al
Margolis (aka
If, Bwana) is
some sort of
evil genius
working with
sources
radically
altered up to
an utterly
unrecognizable
state,
anarchic
manifestations
moving in
compact
determination.
He was active
in the 1980s
American
cassette
underground
through his
label Sound of
Pig Music, and
co-founded the
experimental
music label
Pogus
Productions,
which he
continues to
run.
https://ifbwana.bandcamp.com Tom Law improvises music with custom Max/MSP software and a viola da gamba Whenever possible, he also processes and live-samples the sounds of his collaborators. He is a native of South Carolina, where he opened the figmental Conundrum Music Hall in 2011, and closed it in 2015. He now resides in Saugerties, NY. bigsphinx.com CillaVee (Claire Elizabeth Barratt) is an interdisciplinary artist from the UK. She is the director of Cilla Vee Life Arts and The Center for Connection + Collaboration based in Asheville NC. She has an MFA in Creative Practice from the Transart Institute for Creative Research with Plymouth University, where she developed Living Art - a pedagogy for performance art. cillavee.com |
Featuring
Aldrich,
Norton &
Ross
Saturday,
July 8
A
CRANBERRY
ISLES
SOUNDSCAPE
Saturday,
June 10 -
Saturday, July
8
opening reception, featuring
E.
Jason Gibbs,
in concert
Saturday, June
10
concert
E.
Jason Gibbs
PIECE
/ WORK
an
informal
showing
AUGUST
20, 6pm
Long
Days of
Summer: a
Celebration!
A
Craft and
Knitting
Circle(s) all
day,
JULY
1st -9AM to
Sundown
w/a
potluck at 5pm
Open
to all!
(limited supplies for basket weaving, spinning, sewing and knitting will be on hand)
--most
events virtual
& live
streamed--
please
email us for
the link
What
does
Liberation
Sound Like?
A
Performance,
Presentation
and
Conversation
Circles
October
2, 5pm
By
reservation
only. Please
RSVP to
info@cannerysouthpenobscot.org
CANCELED:
we hope to
reschedule
Tom
Hamilton &
Jacqueline
Martelle //
in
residency;
September 15 -
19
Conjecture,
No Conclusions
(A
concert of
recent and
very recent
music)
Drew
Wesely &
Eli Wallace //
in
residency;
June 20 - July
4 /
Performance
Jul 3
may
you stay safe
and healthy in
this time of
crisis
January
25, 7 pm //
Fences
/ Snowfall /
Elms
December
12, 3pm // community
workshop:
darning
moths got
your socks?
Bring along that favorite sweater now unraveled, those moth eaten socks or that shawl that caught on a nail/. We are going to have the pleasure of Marty Clark's guidance for some creative darning!
November
22, 6 pm //
NUEVAS
COLOSAS
Artist Talk, Performance & Community Potluck
October
6, 2 pm // HOT
ROT
&
Installations
LAST DAY
Celebrating the closing of the Sound Installation Festival, HOT ROT: Eulalia Zigman and Sarah Finn (movement, textiles and poetry) will offer a performance and Zine launch following their week long residency at the Cannery.
Eulalia Zigman / Sarah Finn
september
14, 7 pm //
Making the
Archives Sing!
Voicing
Histories
SIDELINES/
In Translation
Series:
Collaborations
from the world
in more than
one language initiated
by Beatrix
Gates
Poetry READING & CONVERSATION: with award-winning poets Julia Bouwsma & Beatrix Gates. Bouwsma & Gates will present their approaches to creating an active conversation between personal experience and historical experience by investigating connections to and distance from histories in question. They will read from completed work and work-in-progress.
Julia Bauwsma
Julia Bouwsma lives off-the-grid in the mountains of western Maine, where she is a poet, farmer, editor, and small-town librarian. She is the author of two poetry collections: Midden (Fordham University Press, 2018) and Work by Bloodlight (Cider Press Review, 2017). Honors she has received include the 2019 and 2018 Maine Literary Awards; the 2016-17 Poets Out Loud Prize, selected by Afaa Michael Weaver; and the 2015 Cider Press Review Book Award, selected by Linda Pastan. Her poems and book reviews can be found in Cutthroat, Grist, The Ilanot Review, Poetry Daily, Poetry Northwest, RHINO, River Styx, Verse Daily, and other journals. She serves as Library Director for Webster Library in Kingfield, Maine.
Beatrix Gates
Beatrix Gates’ Desire lines will be published by Artifact in 2019. She has published five collections, including Dos and In the Open, a Lambda finalist. She received the Huntington Library Jutzi fellowship to research astronomer Henrietta Swan Leavitt and shared a Witter Bynner Award with Electa Arenal for Jesús Aguado's The Poems of Vikram Babu. A returning fellow at MacDowell & VCCA, hybrid work appears in Scotland’s MAP and A Radiance of Attention: Jane Cooper with poems & translations in The Kenyon Review, Tarpaulin Sky and Tupelo Quarterly. At Granite Press, she published the bilingual IXOK AMAR.GO, Central American Women Poets for Peace. A Goddard MFA faculty member, she has taught writing and literature for over twenty years at Colby, NYU, CCNY, and BC’s QUEST University. She lives in Brooksville, Maine. . Beatrix Gates
august
24, 7:30 pm //
New Sound
Installation +
Concert +
Performance
To celebrate and mark the occasion of the opening of Mathew Ostrowski’s summerland, a new installation for the 3rd (Not-Quite-Annual) Sound Installations Festival, there will be a concert double-bill: a Voice and Movement Performance by the duo Echo Den, and sound-artist Matt Ostrowski on laptop and electronics.
Matthew Ostrowski & summerland
The Summer Land: An inhabitable sphere or zone of spiritualized matter in space. Andrew Jackson Davis, 1867
Carol Genetti & Asimina Chremos
Echo Den is the duo of Chicago-based experimental vocalist Carol Genetti and Philadelphia-based dance artist Asimina Chremos. The two have been performing together on and off for over 15 years, exploring a primal sisterhood through nuances of voice and gesture, sensitive improvisational practices, and deep inner listening.
Asimina Chremos multidisciplinary artist in dance, performance, improvisation, and fiber arts and veteran experimental vocal improvisor whose work extends to sound and visual art media. Carol Genetti are stopping for a concert on their Maine tour!
august
9, 3pm // community
workshop:
basket
weaving
Carolyn Van Cise will guide us through some fundamentals of basket weaving. Some basic minimal materials will be provided --all contributions are welcome!
august
3, 7:30 pm //
the lowest of winds
Janet Underhill / Patrick Crossland / Leslie Ross
august
1, 7:30 pm //
Haynes / Platz / Smith / Crane
Quartet
Stephen Haynes
Jeff Platz
Damon Smith
Matt Crane
july
27, 7:30 pm //
Electric
Kulintang
Suite
and
Other Pieces
Caitlin Cawley and Melinda Faylor, dynamic improvisors and composers will each offer a solo performances of new pieces before joining forces in a group improv.
Melinda Faylor
Brooklyn based pianist and multimedia collaborator/curator, Melinda Faylors’s Electric Kulintang Suite: Fantasy and Fugue is a work in progress and composed using recorded samples of the Kulintang ensemble gongs and drums of the Philippines manipulated live and complemented by prepared piano. This performance is accompanied by psychedelic images generated through the use of Google AI DeepDream
Caitlin Cawley
Caitlin Cawley, percussionist, improviser, educator and electronic musician based in Brooklyn, NY will present two pieces for speaking percussionist. The first is based on a short story by Sarah Turbin, David Bowie Finds his Umbrella in the Afterlife. The second is Introducing (object) by Carolyn Chen, for performer, recorded questions, and object.
june
30 // RAW
& HCCRB
benefit
Performance, Talk and Potluck
a joint benefit for Restorative Art Works and the Hancock County Community Reparations Board
Join performers and board members for a community potluck dinner after the show --bring a dish If you can!
Restorative Art Works
a theater and writing group comprised of current and former incarcerated residents who along with interested community members will present a spoken word piece on the theme of 'Justice' that invites audience response and conversation. The presentation will include an excerpt from a one man show 'FIRE' that examines issues and experiences associated with long term incarceration, poverty, violence, redemption and successful reentry into community.
Hancock County Community Reparations Board
will give a brief introduction to what is happening in Hancock County within the judicial system and with schools. Actively seeking new Board members, the HCCRB will discuss ways in which folks can get involved--from mentors to board members.
Board members and mentors will be available for discussion and questions at the potluck, after the performance.
June
22, 7:30 pm
& June 23,
3 pm //
Between Day and Night
Greg Kowalski / Dave Seidel / Geoffrey Koetsch
Gregory Kowalski
Dave Seidel
june
15 – september
15 // 3rd
annual sound
installation
exhibits
hours: Fridays 4–6 pm, Sundays 1–4 pm, and by appointment
Opening night -June 15, 7:30 pm- will feature an artist talk by Steve Norton on his composition Requiem and a live performance of Luciano Chessa’s installation #ooffoo #ffooff.
Installations
Luciano Chessa
#ooffoo #ffooff
Observe from a distance. Or get closer to the art: Framed art on the wall murmurs. The sound is shaped by increasing and decreasing light proximities, by proxemics.#00FF00 #FF00FF can be the resulting counterpoint of frequencies. Merging audiovisual installation and music instrument building, #00FF00 #FF00FF, encourages both action and contemplation. Flipping receiver's and transmitter's agencies, viewers and mirrored artworks become, intermittently, spectators and performers.
Steve Norton
Requiem
Requiem is an electroacoustic music composition whose topic is human-driven extinction and whose sound materials are exclusively the sounds of ten birds and two frogs—all species which have gone extinct during the era of recorded sound. Requiem enables us to hear them once again, ad aeternum. This is a unique moment in the history of life (and death) on earth, and the beginning of a new era.
Steve Norton
Leslie Ross
water harp
A sound construction that uses remains found in the old Penobscot Cannery--a discarded electrical factory box, can lids, metal ducts and unused canning cans--is concieved to hang on the façade of the building while using the flowing Winslow Stream which runs beneath it to sound the strings of the instrument.
Walter Wright
a multi-media portrait
Walter Wright’s installation is based on patterns and rhythms observed during his residency. He walked the area around The Cannery taking photos, recording video, and looking for textures, patterns and rhythms that are part of the natural and built environment. Rather than using traditional means of composition, he used these observations in creating the sound and video for the installation.
Walter Wright
water harp funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
June
8, 7:30 pm //
Walter Wright
WALTER WRIGHT, During his residency Walter walked the area around The Cannery taking photos, recording video, and looking for textures, patterns and rhythms that are part of the natural and built environment. Rather than using traditional means of composition, he will use these in creating the quadrophonic sound and multi-channel video installation, and in preparing ‘scores’ to be performed by himself and guest musicians.
May
25, 7:30 pm //
Michael
Rosenstein //
AN&R Trio
MICHAEL ROSENSTEIN, explores the interaction of acoustic and electronic sounds in collectively improvised settings and compositional frameworks. Process is central to his practice. This includes building and modifying sound-gathering devices, amplified surfaces, salvaged instruments, and simple oscillators. It extends to gathering recordings at ocean beaches, bogs, subways, city walks, and as part of architectural investigations utilizing microphones, photo diodes, contact microphones, hydrophones, and electromagnetic sensors. He develops these raw sonic sources, transforming, distressing, and combining them, and feeding off of the unstable sonic results.
April
6, 7:30 pm //
Burton / Drury
/ Matthew,
New England
Tour '19
A trio of visionaries, JILL BURTON, voice/movement (Gainesville),WADE MATTHEWS, electronics (Madrid), and ANDREW DRURY, floor tom (New York) with over a century of combined experience whose methods employ technology running from the Stone Age to the Digital Age but whose product is a timeless ritual of collective human imagination.
april
20 // community
workshop:
needle-felting
Daksha will guide us through an introduction to needle felting and it's possibilities from sculpture to jewelry to applique....
Please bring a household sponge (as large as you can find). Needles and roving and tea will be supplied, however certainly bring along any roving or yarn or wool fabric you might like to use or share.
RSVP encouraged so that we have an idea of how many might attend, but drop-ins are welcome.
march
9 // community
workshop:
beeswax tapers
South Penobscot Knitting and Craft Circle will hold its first community workshop. Guiding us through the process as we each get to make a set of candles, Cat McNeil will share techniques for hand dipping beeswax taper candles. Supplies, beeswax, wick and tea, are furnished, if you'd like otherwise to contribute, bring along an ounce of beeswax or nibbles to share.
!EXTENDED!
to October 22
// 2nd annual
sound
installation
festival
doors
open at 6 pm,
music at 7 pm
Continued
installation
hours:
Thursdays -
Sundays, from
12:00 to 6:00
PM
an
immersive
soundscape
installation
by the Island Soundscape Project
by the Island Soundscape Project
hours:
Thursdays -
Sundays, from
12:00 to 6:00
PM
opening reception, featuring
doors
open at 6 PM /
music at 7 PM
A
Cranberry
Isles
Soundscape
is a
four-channel
soundscape
installation
made from
audio
materials
gathered on
the five
islands
comprising the
Cranberry
Isles, a Maine
township which
lies just
south of the
much larger
(and well
known) Mount
Desert Island.
The project
was undertaken
with the
support and
encouragement
of the Great
Cranberry
Island
Historical
Society, where
it is part of
their
permanent
museum
collection. It
was also made
possible in
part by a
University of
Maine Arts
Initiative
grant.
A Cranberry Isles Soundscape was researched, recorded and composed between May, 2022 and April, 2023 by the Island Soundscape Project. The Island Soundscape Project is N.B.Aldrich, Adriana Cavalcanti and Steve Norton, who wish to acknowledge invaluable contributions from research assistants Merrilee Schoen and Sabrina Sudol.
A Cranberry Isles Soundscape was researched, recorded and composed between May, 2022 and April, 2023 by the Island Soundscape Project. The Island Soundscape Project is N.B.Aldrich, Adriana Cavalcanti and Steve Norton, who wish to acknowledge invaluable contributions from research assistants Merrilee Schoen and Sabrina Sudol.
concert
June
10, 7 PM
|
Guitar
player,
improviser,
field
recordist,
E.Jason Gibbs'
compositions
are built from
field
recordings,
and explore
the
relationship
between the
built and
natural worlds
and how humans
impose
themselves on
environments.
His work for
guitar is
improvised
(drawing on
minimalism,
noise, free
jazz and
fingerstyle).
|
2022
Following
their
residency,
artists
Ferrier and
Wolf offer
A
durational
performance/installation
by queer,
cross-disciplinary
artists Katherine
Ferrier
and Meg
Wolfe that
disrupts
traditional
techniques of
both
improvisational
movement and
patchwork.
They explore
emerging
forms, nascent
friendship,
and
neurodivergence;
centering
process and
collaborative
sense-making.
|
Two
figures
alternate
between
sorting a
giant pile of
fabric scraps,
stitching at
two sewing
machines,
moving in the
space, and
attaching sewn
pieces to the
wall. The work
unfolds over
three days,
building both
a physical
patchwork that
grows in size,
and a shared
movement
language that
grows in
complexity and
nuance.
Viewers are
invited into
an intimate
witnessing as
the space is
transformed,
seam by seam,
gesture by
gesture.
PIECE / WORK will be included as part of the exhibition, Can’t Take My Eyes Off You, curated by Faythe Levine, opening at SPEEDWELL Projects gallery in Portland, ME from September 7-9, 2022.
|
at
which time we
also invite
any who wish
to, to share
beginnings of
a project,
doesn't
have to be a
craft project!
...a sweater, a poem, a tune, a seed, a thought, a proposal for action...
...a sweater, a poem, a tune, a seed, a thought, a proposal for action...
Come
by ~when you
can~
for the day / for the potluck / to say hi / early & later / whenever
Bring a project that you are working on, or find inspiration here.
for the day / for the potluck / to say hi / early & later / whenever
Bring a project that you are working on, or find inspiration here.
(limited supplies for basket weaving, spinning, sewing and knitting will be on hand)
safe distancing will be assured in all of our rooms
2021
A
short
presentation
will be
offered on the
Mbira and its
place in
Zimbabwe's
liberation
movement.
Participants
in the day's
instrument-making
workshop (open
to those
previously
incarcerated
and their
advocates)
will share
freshly
composed
pieces before
joining guests
in
conversation
circles.
Restorative justice advocates often look to the traditional African concept of ubuntu (which has varied translations related to human connectivity) to ground their movement toward nurturing inclusive and participatory communities, and to offer a community-based approach to repairing harm as an alternative to incarceration. Similarly, the mbira (pronounced em-BEE-ra), a family of musical instruments native to the Shona people of Zimbabwe, holds history and knowledge that can inspire us: Traditionally played to call the ancestors, mbiras became instruments of resistance to colonial rule and a source of sonic resilience during Zimbabwe’s liberation movements.
How might the mbira—building them, playing them, making music with them together and then sharing—help us find our own sounds of liberation?.
Restorative justice advocates often look to the traditional African concept of ubuntu (which has varied translations related to human connectivity) to ground their movement toward nurturing inclusive and participatory communities, and to offer a community-based approach to repairing harm as an alternative to incarceration. Similarly, the mbira (pronounced em-BEE-ra), a family of musical instruments native to the Shona people of Zimbabwe, holds history and knowledge that can inspire us: Traditionally played to call the ancestors, mbiras became instruments of resistance to colonial rule and a source of sonic resilience during Zimbabwe’s liberation movements.
How might the mbira—building them, playing them, making music with them together and then sharing—help us find our own sounds of liberation?.
As
part of Freedom
and Captivity
Festival and
in partnership
with TUG
Collective
and Downeast
Restorative
Justice, the
organizers
kindly request
that all
participants
be vaccinated
against
COVID-19, with
limited
exceptions
made for
participants
with
legitimate
medical
conditions.
Masking and
physical
distancing
will be
required.
TOM
HAMILTON has
composed and
performed
electronic
music for over
50 years. His
music
references the
1970s era of
analog
electronics,
and contrasts
structure with
improvisation
and textural
electronics
with acoustic
instruments.
He employs
“aural scores”
to connect
performers to
a changing
context of
electronic
sound,
prompting the
use of
“present-time
listening” by
both performer
and listener.
Hamilton is a
Fellow of the
Civitella
Ranieri
Foundation and
has received
the Mike
Zagorski
Artist Award
from the Sound
Symposium
festival in
St. John’s NL.
Flutist
JACQUELINE
MARTELLE
resides in New
York City,
where she has
performed in
diverse
concert
venues,
including
Experimental
Intermedia,
Symphony
Space, Issue
Project Room,
Roulette, Le
Poisson Rouge,
Third Street
Music School
Settlement,
Merkin Concert
Hall, the CUNY
Graduate
Center, and
Carnegie Hall.
She has been a
featured
artist in the
World Music
Institute’s
Interpretations
series and has
appeared with
the Remarkable
Theater
Brigade’s
Opera Shorts
at
Weill-Carnegie
Hall. Martelle
has presented
concerts and
recitals
highlighting
the flute in
combination
with
electronic
media and has
premiered
works written
for her by
Larry Austin,
David Behrman,
Tom Hamilton,
Alvin Lucier,
Al Margolis,
and Robert
Rowe.
Drew
Wesely
(guitar) and Eli
Wallace
(piano) have
cultivated a
unified
musical
connection as
a result of
three years of
consistent
collaboration.
They improvise
collectively,
employing a
variety of
non-standard
techniques to
create
multifarious
sounds from
their
respective
instruments.
This approach
creates music
that is
constantly
morphing and
shifting, due
to their
attention to
sonic detail,
rhythmic
interaction,
and creation
of a liminal
space.
They
wish to use
the time at
the Cannery to
further
develop their
duo vocabulary
and
interaction
through daily
practice,
workshopping
new ideas
relating to
sound
combinations,
and
employinging
new strategies
for
constructing
and informing
their musical
morphology.
Their work
will culminate
in a
performance
halfway
through the
residency and
a recording at
the end.
summer 2020 events on hold
Fences
/ Snowfall /
Elms is a
screening of
three works
mediating the
relationship
between humans
and our
environment.
Saints
of
Circumstance
is a film by
Matt Shaw
inspired by
the team of
public and
private
efforts in
Castine, Maine
to preserve
and re-plant
their elm
trees, the
film venerate
the trees
themselves
while
remaining
aware of a
reliance on
human
assistance for
them to
thrive..
field:
snowfall,
February 13 immerses
us in the
aural realm of
weather; a
piece by Steve
Norton, sound
artist and
musician whose
artistic
research
examines
electroacoustic
music,
improvisation
as a method,
the
environment,
modernity and
society.
Graciously
made available
by the Northeast
Historic Film,
Just
Fences reminds
of us the
ephemerality
of our
constructed
world
After
the screening,
please join us
for
conversation
over snacks
and drinks.
This event is
free and open
to the public.
The artists
ask for a
small donation
at the door,
if you can, to
help support
programing at
The Cannery.
calendar of events: 2019
Bring along that favorite sweater now unraveled, those moth eaten socks or that shawl that caught on a nail/. We are going to have the pleasure of Marty Clark's guidance for some creative darning!
Please bring
some darning
needles if you
have them.
There will be
plenty of
loose yarn to
pull from.
All
ages welcome!
Artist Talk, Performance & Community Potluck
CONVIVIUM
/ POETRY /
PERFORMANCE /
POTLUCK
The
New Colossus,
NUEVAS COLOSAS
is a
performance
art piece
which explores
immigration
across Maine
through the
spoken art of
poetry.
Performer
Joshua McCarey
and Threadbare
Theatre
Workshop, in
residence at
The Cannery at
South
Penobscot,
will give a
public talk
and
performance of
NUEVAS
COLOSAS.
Inspired
by Emma
Lazarus’ poem,
NUEVAS COLOSAS
quests to make
visible the
contributions
of immigrant
women to Maine
society in the
time since
Lazarus’ poem
was penned in
1883. McCarey
will be joined
by Kate
Russell and
Esther Adams
of Threadbare
Theatre
Workshop,
whose mission
is to
illuminate
epics in a
simple way
through the
magic of
resourceful
storytelling;
laying bare
our humanity
so that we may
thread more
empathy into
existence.
Join us for
this free
community
event,
performance
and potluck.
Bring
a favorite
dish if you
can, all ages
welcome!!
Celebrating the closing of the Sound Installation Festival, HOT ROT: Eulalia Zigman and Sarah Finn (movement, textiles and poetry) will offer a performance and Zine launch following their week long residency at the Cannery.
Eulalia Zigman / Sarah Finn
HOT ROT is a
corporeal love
letter to the
compost pile
we cohabitate
and tend to.
This works in
process
showing is a
physical
exploration of
disintegrations
in revelation;
an archive of
sensual
emergence from
de/composition.
This
installation
performance is
the
culmination of
a week long
residency and
submission-based
assemblage,
where Zigman
and Finn, dug
into the
material of
decay and
disruption as
the encounters
that bind us
joyously, and
in complex
networks, to
one another.
Eulalia Zigman
and Sarah Finn
invite the
public to join
them in this
exploration.
Light food and
printed
material to
accompany this
showing.
Last
chance to view
the works of
our 2019 Sound
Installation
Festival with
works by
Norton,
Ostrowski,
Wright, Ross
and Chessa!
Poetry READING & CONVERSATION: with award-winning poets Julia Bouwsma & Beatrix Gates. Bouwsma & Gates will present their approaches to creating an active conversation between personal experience and historical experience by investigating connections to and distance from histories in question. They will read from completed work and work-in-progress.
Julia Bauwsma
Julia Bouwsma lives off-the-grid in the mountains of western Maine, where she is a poet, farmer, editor, and small-town librarian. She is the author of two poetry collections: Midden (Fordham University Press, 2018) and Work by Bloodlight (Cider Press Review, 2017). Honors she has received include the 2019 and 2018 Maine Literary Awards; the 2016-17 Poets Out Loud Prize, selected by Afaa Michael Weaver; and the 2015 Cider Press Review Book Award, selected by Linda Pastan. Her poems and book reviews can be found in Cutthroat, Grist, The Ilanot Review, Poetry Daily, Poetry Northwest, RHINO, River Styx, Verse Daily, and other journals. She serves as Library Director for Webster Library in Kingfield, Maine.
Beatrix Gates
Beatrix Gates’ Desire lines will be published by Artifact in 2019. She has published five collections, including Dos and In the Open, a Lambda finalist. She received the Huntington Library Jutzi fellowship to research astronomer Henrietta Swan Leavitt and shared a Witter Bynner Award with Electa Arenal for Jesús Aguado's The Poems of Vikram Babu. A returning fellow at MacDowell & VCCA, hybrid work appears in Scotland’s MAP and A Radiance of Attention: Jane Cooper with poems & translations in The Kenyon Review, Tarpaulin Sky and Tupelo Quarterly. At Granite Press, she published the bilingual IXOK AMAR.GO, Central American Women Poets for Peace. A Goddard MFA faculty member, she has taught writing and literature for over twenty years at Colby, NYU, CCNY, and BC’s QUEST University. She lives in Brooksville, Maine. . Beatrix Gates
To celebrate and mark the occasion of the opening of Mathew Ostrowski’s summerland, a new installation for the 3rd (Not-Quite-Annual) Sound Installations Festival, there will be a concert double-bill: a Voice and Movement Performance by the duo Echo Den, and sound-artist Matt Ostrowski on laptop and electronics.
Matthew Ostrowski & summerland
The Summer Land: An inhabitable sphere or zone of spiritualized matter in space. Andrew Jackson Davis, 1867
summerland
is an
installation
for 24 antique
telegraph
sounders where
all sounds are
derived from
the writings
of Morse and
transcripts of
Fox’s
communications
with the
Summer Land.
This work
attempts to
seize from the
ether the dead
voices of
Samuel Morse
and Kate Fox,
materializing
language by
reducing it to
streams of
particles,
taking the
form of an
electromagnetic
seance. New
York City
composer,
performer and
installation
artist Matthew
Ostrowski
will perform
solo with
laptop and
electronics
for the
opening of his
piece.
Summerland
is made
possible by
the New York
State Council
on the Arts
with the
support of
Governor
Andrew M.
Cuomo and the
New York State
Legislature.
Carol Genetti & Asimina Chremos
Echo Den is the duo of Chicago-based experimental vocalist Carol Genetti and Philadelphia-based dance artist Asimina Chremos. The two have been performing together on and off for over 15 years, exploring a primal sisterhood through nuances of voice and gesture, sensitive improvisational practices, and deep inner listening.
Asimina Chremos multidisciplinary artist in dance, performance, improvisation, and fiber arts and veteran experimental vocal improvisor whose work extends to sound and visual art media. Carol Genetti are stopping for a concert on their Maine tour!
Carolyn Van Cise will guide us through some fundamentals of basket weaving. Some basic minimal materials will be provided --all contributions are welcome!
We
will also have
some available
tools to
share, but if
you have sharp
snips, flat
pliers or
other basket
weaving tools
please bring
them along
too.
the lowest of winds
Janet Underhill / Patrick Crossland / Leslie Ross
Following
a short,
collaborative
residency,
Jane Underhill
(bassoon and
contra-bassoon)
& Leslie
Ross (bassoon)
will share an
evening of
improvisations
and scored
pieces--to be
joined by
returning
guest,
trombonist
Patrick
Crossland who
wowed the
audience here
last summer.
Haynes / Platz / Smith / Crane
Stephen
Haynes cornet Jeff Platz guitar Damon Smith bass Matt Crane drums and percussion |
---|
The
cooperative
quartet is a
New
England-based
cooperative
ensemble
steeped in the
traditions of
Free Music.
Convened in
Providence,
RI, the group
is a rare
example of a
working band,
whose album -
Search Versus
ReSearch - was
issued earlier
this year in
the Italian
Setola di
Maiale label.
Expect the
unexpected,
delivered with
great grace.
Stephen Haynes
Jeff Platz
Damon Smith
Matt Crane
Caitlin Cawley and Melinda Faylor, dynamic improvisors and composers will each offer a solo performances of new pieces before joining forces in a group improv.
Melinda Faylor
Brooklyn based pianist and multimedia collaborator/curator, Melinda Faylors’s Electric Kulintang Suite: Fantasy and Fugue is a work in progress and composed using recorded samples of the Kulintang ensemble gongs and drums of the Philippines manipulated live and complemented by prepared piano. This performance is accompanied by psychedelic images generated through the use of Google AI DeepDream
Caitlin Cawley
Caitlin Cawley, percussionist, improviser, educator and electronic musician based in Brooklyn, NY will present two pieces for speaking percussionist. The first is based on a short story by Sarah Turbin, David Bowie Finds his Umbrella in the Afterlife. The second is Introducing (object) by Carolyn Chen, for performer, recorded questions, and object.
Performance, Talk and Potluck
a joint benefit for Restorative Art Works and the Hancock County Community Reparations Board
All
proceeds
benefit R.A.W
and the HCCRB
Join performers and board members for a community potluck dinner after the show --bring a dish If you can!
Restorative Art Works
a theater and writing group comprised of current and former incarcerated residents who along with interested community members will present a spoken word piece on the theme of 'Justice' that invites audience response and conversation. The presentation will include an excerpt from a one man show 'FIRE' that examines issues and experiences associated with long term incarceration, poverty, violence, redemption and successful reentry into community.
Hancock County Community Reparations Board
will give a brief introduction to what is happening in Hancock County within the judicial system and with schools. Actively seeking new Board members, the HCCRB will discuss ways in which folks can get involved--from mentors to board members.
Board members and mentors will be available for discussion and questions at the potluck, after the performance.
Between Day and Night
Greg Kowalski / Dave Seidel / Geoffrey Koetsch
Between the
Day and the
Night is a
non-narrative
performance
inspired by
the found
footage of the
French master
Georges
Rouault
burning of 315
of his
paintings in a
factory
furnace in
1947. Devoid
of dialog, the
piece is an
audio-visual
poem in which
the performer
is immersed in
sounds and
images created
by his own
movements.
Interactive
apparatuses
trigger sound
and visual
events that
give a voice
to the old
footage and
the ashen
remains of the
canvases.
Gregory Kowalski
Dave Seidel
hours: Fridays 4–6 pm, Sundays 1–4 pm, and by appointment
Opening night -June 15, 7:30 pm- will feature an artist talk by Steve Norton on his composition Requiem and a live performance of Luciano Chessa’s installation #ooffoo #ffooff.
Installations
Luciano Chessa
#ooffoo #ffooff
Observe from a distance. Or get closer to the art: Framed art on the wall murmurs. The sound is shaped by increasing and decreasing light proximities, by proxemics.#00FF00 #FF00FF can be the resulting counterpoint of frequencies. Merging audiovisual installation and music instrument building, #00FF00 #FF00FF, encourages both action and contemplation. Flipping receiver's and transmitter's agencies, viewers and mirrored artworks become, intermittently, spectators and performers.
Steve Norton
Requiem
Requiem is an electroacoustic music composition whose topic is human-driven extinction and whose sound materials are exclusively the sounds of ten birds and two frogs—all species which have gone extinct during the era of recorded sound. Requiem enables us to hear them once again, ad aeternum. This is a unique moment in the history of life (and death) on earth, and the beginning of a new era.
Steve Norton
Leslie Ross
water harp
A sound construction that uses remains found in the old Penobscot Cannery--a discarded electrical factory box, can lids, metal ducts and unused canning cans--is concieved to hang on the façade of the building while using the flowing Winslow Stream which runs beneath it to sound the strings of the instrument.
Walter Wright
a multi-media portrait
Walter Wright’s installation is based on patterns and rhythms observed during his residency. He walked the area around The Cannery taking photos, recording video, and looking for textures, patterns and rhythms that are part of the natural and built environment. Rather than using traditional means of composition, he used these observations in creating the sound and video for the installation.
Walter Wright
water harp funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
WALTER WRIGHT, During his residency Walter walked the area around The Cannery taking photos, recording video, and looking for textures, patterns and rhythms that are part of the natural and built environment. Rather than using traditional means of composition, he will use these in creating the quadrophonic sound and multi-channel video installation, and in preparing ‘scores’ to be performed by himself and guest musicians.
Walter Wright
is an
interdisciplinary
artist, his
practice
includes
computer
programming,
electro-acoustic
music, and
video
performance.
His focus is
on
"improvisation
as a way of
being present
in the world."
MICHAEL ROSENSTEIN, explores the interaction of acoustic and electronic sounds in collectively improvised settings and compositional frameworks. Process is central to his practice. This includes building and modifying sound-gathering devices, amplified surfaces, salvaged instruments, and simple oscillators. It extends to gathering recordings at ocean beaches, bogs, subways, city walks, and as part of architectural investigations utilizing microphones, photo diodes, contact microphones, hydrophones, and electromagnetic sensors. He develops these raw sonic sources, transforming, distressing, and combining them, and feeding off of the unstable sonic results.
AN&R
Trio, is NATE
ALDRICH
(recordings),
STEVE
NORTON
(reed
instruments
and
electronics)
and LESLIE
ROSS
(bassoon and
electronics)-
with nearly 90
years of
performance
experience
among them,
they have
played
experimental
and electronic
music together
since 2015.
AN&R
creates
improvised
sound
environments
using extended
instrumental
techniques,
electronic
processing and
field
recordings
that are rich
in texture and
subtlety.
A trio of visionaries, JILL BURTON, voice/movement (Gainesville),WADE MATTHEWS, electronics (Madrid), and ANDREW DRURY, floor tom (New York) with over a century of combined experience whose methods employ technology running from the Stone Age to the Digital Age but whose product is a timeless ritual of collective human imagination.
Daksha will guide us through an introduction to needle felting and it's possibilities from sculpture to jewelry to applique....
Please bring a household sponge (as large as you can find). Needles and roving and tea will be supplied, however certainly bring along any roving or yarn or wool fabric you might like to use or share.
RSVP encouraged so that we have an idea of how many might attend, but drop-ins are welcome.
South Penobscot Knitting and Craft Circle will hold its first community workshop. Guiding us through the process as we each get to make a set of candles, Cat McNeil will share techniques for hand dipping beeswax taper candles. Supplies, beeswax, wick and tea, are furnished, if you'd like otherwise to contribute, bring along an ounce of beeswax or nibbles to share.
Fridays
4–6 pm,
Sundays 1–4
pm, and by
appointment
*CYMBAL
BATHS
-- now offered
at the close
of
installation
hours:
Fridays
at 6pm /
Sundays at 4pm
*Tom
Hamilton’s "City
of Vorticity"
-- an ongoing
participatory
“aural score”
with an open
invitation
for any
individual
musician to
interact with
the soundscape
by performing
with it.
See
below for more
information on
the
Installations
and on Cymbal Baths.
and on Cymbal Baths.